Technical Information

1) Load-in:

Unload trucks on Monroe Street (east side of the building) at the driveway leading into the lower level. The equipment is moved down this driveway, across the building to the orchestra pit lift. Please refer to the lower level diagram.

Driveway door.........................................11' x 11'

2) Orchestra Pit Lift:

Orchestra Pit Lift Door:..........................10' x 8'
Orchestra Pit Lift Capacity:...................35,000 lbs.
Orchestra Pit Lift dimensions:...............50' x 8'
Travel time:............................................2 minutes

* Note: lift can be set to any depth below the floor or up to stage level. Performance depth for an orchestra is 14" below floor level. The orchestra pit can be expanded at this position from 8' wide to 11' or 14'.

3) Stage Dimensions:

Proscenium...........................................49'10" x 25'
Plasterline to upstage wall....................32'
Apron....................................................2' 6"
Pit Lift - Stage Level.............................8'
Wings - Stage Left................................17'6" x 32'
Stage Right...........................................15'0" x 32'
Deck to Grid..........................................47'
Deck to High Trim.................................42' 6"
Deck to Low Trim..................................3' 6"

4) Deck:

Wood subfloor on sleepers w/battleship linoleum (not sprung)

5) Soft Goods:

(1) Grand Drape (Burgundy/velour)
(1) Grand Border (Burgundy/velour)
(5) Borders (Black/velour)
(4) Wing Legs (Black/velour)
(4) Stage Legs (Black/velour)
(1) Black Traveler (Black/velour)
(1) Cyclorama (Sky Blue/seamed)
(1) Mid-stage Traveler (Slate Grey/velour)

6) Stage Rigging: (see schedule)

# of pipes...................................................................41
# of scenery...............................................................32
# of dedicated to house equipment & soft goods.........9

Lengths of pipes:
scenery........................................................50'
soft goods.....................................................75'
single purchase capacity......................1,000lbs.

7) Lighting/Electrical

Inventory:
See attached

Console:
Main.................Strand LBX (125 channel 200 cues)
Stage Manager..........Strand Mantrix

Dimmers:
Strand CD 80
# of 6K.........................................4
# of 2.4K...................................278

Electrical:
location..........(upstage right)
2 co. switches - 3 phase, 5 wire
lighting, rigging............600 amp
sound, stage...............125 amp

FOH Transfer:
location (upstage right)
# of circuits
box booms
S.L..........................9
S.R..........................9
#1 cove.......................................38
#2 cove.......................................16

8) Sound: FOH

Main Console:................................Yamaha MC 3204 II
Amplifiers:......................................QSC Series 1

Speakers Clusters:
Main (EV 3-way)
horns...............DH1-A
mids/low..........TL-606 DX 009;
subs................MTL-4
Extended & Satellites (EV 2-way)
horns...............DH1-A
mids/low..........TL-606 SX
Balcony Fill Altech-Lansing 8" co-axial -- 70v
Stage/Center Fill (2) JBL 4738 enclosures
horn........1" bi-radial
mid.........10" JBL 2123H
sub..........18" JBL 2241G

* This sound reinforcement system is time aligned and the room is tuned to a flat EQ. The house engineer will make every effort to satisfy the need of all show, but the house reserves the right to determine final levels for all performances.

Outboard Equipment:
(1) Yamaha SPX 900
(4) White 4400
(4) Ashley CL 50E Comp/Limiters
(2) Nakamichi MR 11 cassette decks
(1) Yamaha CDX 930 CD Player
(1) Sony FL 7-11 phono turntable
(1) Revox B77 reel to reel

Monitors

Console:
Yamaha 321OM

Amplifiers:
High.............Ashley FET 1500 M
Low.............Ashley FET 2000M

EQs:
Ashley GQX 3120

x-overs:
Ashley XR 1000A

Wedges:
(8) EV 1202 ER bi-amp

Sidefill:
(2) JBL 4738 enclsrs.

Intercom:
ClearCom PS-452........2 Channel

9) Acoustics:

The Georgia Neese Gray Performance Hall was designed with special consideration for non-amplified performances.

10) Dressing Rooms

(1) Men's Chorus Room......................Stage Right-First Floor
(1) Principles Room........................Stage Right-Second Floor
(1) Star Suite......................................Stage Right-Second Floor
(1) Woman's Chorus Room....................Stage Left-First Floor
(1) Principles Room...........................Stage Left-Second Floor
(1) Star Suite.......................................Stage Left-Second Floor

11) FOH Distances (from pro-line to center stage)

#1 Box Booms......................................(S.R. & S.L. 29 degree angle) 45'
#2 Box Boom........................................(S.R. & S.L. 26 degree angle) 55'
#1 Ceiling Cove.......................................................(48 degree angle) 45'
#2 Ceiling Cove............................................(mid-house follow-spots) 75'
Mid-house Mix position.........................................................................65'
Main Floor Mix position (behind last row)...........................................110'
House Mix Position.............................................................................135'
House Lighting Position......................................................................135'
House Followspot Booths......................................(15 degree angle) 170'
Mid-house Curtain.................................................................................70'

12) Stage Technicians

Stage technicians contracted for all events held in the Georgia Neese Gray Performance Hall are professionals trained in our facility

13) For Your Information:

Because of the distance between the stage and the loading area, please add approximately 45 minutes to your normal schedule (both load-in and load-out). At your request, we can add personnel to the call to help speed the process in the event of tight turnaround times.

The house box booms are very shallow in relation to the stage. This makes the upstage focus nearly impossible.

The soft goods hang is permanent. Special consideration will be made on a show-to-show basis.

Onstage electrics can be hung on any pipe. All sound positions are open air.

14) Lineset Schedule

15) Lighting Instrument Inventory

24 - 6 x 12 long throw lk
12 - 6 x 12 short throw 1k similar to 6 x 9 throw
2 - 6 x 12 with iris 1k
20 - 6" variable focus zoom 1k 15' - 40'
19 - 4.5 variable focus zoom 500 watt 25' - 50'
18 - 8" fresnel 2k
10 - 6" fresnel 1k
4 - 10 x 23 1k
6 - 8 x 13 1k
11 - par 64 six bars 1k
8 - par 64 snubs 1k work lights
4 - par 64 1k loose cans
4 - near cyc units with 4 cells each 500 watt (with hanging hardware) (very weak in performance)