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Technical Info

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Load-in
 Stage Rigging
 FOH Distances

Orchestra Pit Lift
 Lighting/Electrical
 Stage Technicians

Stage Dimensions
 Sound: FOH
 For Your Information

Deck
 Acoustics
 Lineset Schedule

Soft Goods
 Dressing Rooms
 Lighting Instrument Inventory


1) Load-in:
Unload trucks on Quincy Street (west side of the building) at the employee entrance. The equipment follows a 50' push to the stage pit.  The pit will raise all equipment to stage level.

Load in door.........................................97'' x 70''

Pit.......................................................50' x 9'

Pit Capacity.........................................35,000 lbs.

*Note:  Larger equipment can be unloaded on east side of building through 11' x 11' doorway in the basement.  This option will increase load in and load out times by 30-45 minutes each.

2) Orchestra Pit Lift:
Orchestra Pit Lift Basement Door:..........10' x 8'
Orchestra Pit Lift Capacity:...................35,000 lbs.
Orchestra Pit Lift dimensions:................50' x 9'
Travel time:...........................................2 minutes

* Note: lift can be set to any depth below the floor or up to stage level. Performance depth for an orchestra is 14" below floor level. The orchestra pit can be expanded at this position from 8' deep to 11' or 14'.

3) Stage Dimensions:
Proscenium...........................................49'10" x 25'
Plasterline to upstage wall....................32'
Apron....................................................2' 6"
Pit Lift - Stage Level.............................50' x 9'
Wings - Stage Left................................17'6" x 32'
Stage Right...........................................15'0" x 32'
Deck to Grid..........................................47'
Deck to High Trim.................................42' 6"
Deck to Low Trim..................................3' 6"

4) Deck:
Wood subfloor on sleepers w/ high density polyethylene (not sprung)

5) Soft Goods:
(1) Grand Drape (Burgundy/velour)
(1) Grand Border (Burgundy/velour)
(5) Borders (Black/velour)
(4) Wing Legs (Black/velour)
(4) Stage Legs (Black/velour)
(1) Black Traveler (Black/velour)
(1) Cyclorama (Sky Blue/seamed)
(1) Mid-stage Traveler (Slate Grey/velour)

6) Stage Rigging: (see schedule)
# of pipes...................................................................41
# of scenery...............................................................32
# of dedicated to house equipment & soft goods.........9

Lengths of pipes:
scenery........................................................50'
soft goods.....................................................75'
single purchase capacity......................1,000lbs.

7) Lighting/Electrical
Inventory:  Please call TPAC Technical and Operations Coordinator for current inventory 785-234-2787 ext 113

Console:
Main.................Avolites Pearl Expert
Stage Manager..........Strand Mantrix

Dimmers:
Strand CD 80
# of 6K.........................................4
# of 2.4K...................................278

Electrical
locations:
2 company switches - 3 phase, 5 wire
USR-Lighting............600 amp
USL-Audio..............125 amp

FOH Transfer:
Location (USR)
# of circuits
Box Booms
S.L..........................9
S.R..........................9
#1 cove.......................................38
#2 cove.......................................16

8) Sound: FOH
Main Console:................................Soundcraft MH-2
Amplifiers:......................................QSC Series 1

Speakers Clusters:
Main (EV 3-way)
horns...............DH1-A
mids/low..........TL-606 DX 009;
subs................MTL-4
Extended & Satellites (EV 2-way)
horns...............DH1-A
mids/low..........TL-606 SX
Balcony Fill Altech-Lansing 8" co-axial -- 70v
Stage/Center Fill (2) JBL 4738 enclosures
horn........1" bi-radial
mid.........10" JBL 2123H
sub..........18" JBL 2241G

* This sound reinforcement system is time aligned and the room is tuned to a flat EQ. The house engineer will make every effort to satisfy the need of all show, but the house reserves the right to determine final levels for all performances.

Outboard Equipment:
(1) Yamaha SPX 900
(1) Ashly Protea System II 4.24G
(4) Ashly CL 50E Comp/Limiters
(2) Nakamichi MR 11 cassette decks
(1) Denon DN-C615
(1) Ashly QGX 3102

Monitors

Console:
Yamaha 321OM

Amplifiers:
High.............Ashly FET 1500 M
Low.............Ashly FET 2000M

EQs:
Ashly GQX 3120

x-overs:
Ashly XR 1000A

Wedges:
(8) EV 1202 ER bi-amp

Sidefill:
(2) JBL 4738

Intercom:
ClearCom PS-452........2 Channel

9) Acoustics:
The Georgia Neese Gray Performance Hall was designed with special consideration for non-amplified performances.

10) Dressing Rooms
(1) Men's Chorus Room......................Stage Right-First Floor
(1) Principal's Room........................Stage Right-Second Floor
(1) Star Suite......................................Stage Right-Second Floor
(1) Woman's Chorus Room....................Stage Left-First Floor
(1) Principal's Room...........................Stage Left-Second Floor
(1) Star Suite.......................................Stage Left-Second Floor

11) FOH Distances (from pro-line to center stage)
#1 Box Boom......................................(S.R. & S.L. 29 degree angle) 45'
#2 Box Boom........................................(S.R. & S.L. 26 degree angle) 55'
#1 Ceiling Cove.......................................................(48 degree angle) 45'
#2 Ceiling Cove............................................(mid-house follow-spots) 75'
Mid-house Mix position.........................................................................65'
Main Floor Mix position (behind last row)...........................................110'

Cable Run to Main Floor Mix position...........................................200'

House Mix Position.............................................................................135'
House Lighting Position......................................................................135'
House Followspot Booths......................................(15 degree angle) 170'
Mid-house Curtain.................................................................................70'

12) Stage Technicians
Stage technicians contracted for all events held in the Georgia Neese Gray Performance Hall are professionals trained in our facility

13) For Your Information:
Because of the distance between the stage and the loading area, please add approximately 45 minutes to your normal schedule (both load-in and load-out) if you wish to use the east side basement for your loading. At your request, we can add personnel to the call to help speed the process in the event of tight turnaround times.

The house box booms are very shallow in relation to the stage. This makes the upstage focus nearly impossible.

The soft goods hang is permanent. Special consideration will be made on a show-to-show basis.

Onstage electrics can be hung on any pipe. All sound positions are open air.

14) Lineset Schedule
Lineset#  Distance from Plasterline  Function (*** = Available Pipe)
FC 6 1/4"  Fire Curtain
1 2' 3 1/2"  Grand Drape (Travels Only)
2 3' 4 1/2"  Grand border
3 3' 8 1/2"  ***
4 4' 2 1/2"  ***
5 4' 6 1/2"  ***
6 5' 4 1/2"  #1 Border
7 6' 2 1/2"  #1 Legs & Wing Legs
8 6' 8 1/2"  ***
9 7' 5 1/2"  Act Curtain (Travels Only)
10 8' 1 1/2"  ***
11 8' 1/2"  ***
12 9' 1/2"  ***
13 9' 9 1/2"  #2 Border
14 10' 11 1/2"  #2 Legs & Wing Legs
15 11' 7 1/2"  ***
16 12' 1 1/2"  ***
17 12' 7 1/2"  ***
18 12' 11 1/2'  ***
19 13' 4 1/2"  ***
20 14' 1/2"  ***
21 14' 6 1/2"  #3 Border
22 15' 1/2"  #3 Legs & Wing Legs
23 15' 6 1/2"  ***
24 16' 1/2"  ***
25 16' 6 1/2"  ***
26 17' 1/2"  *** 
27 18' 8 1/2"  ***
28 19' 4 1/2"  #4 Legs & Wing Legs
29 20' 1/2"  ***
30 20' 9 1/2"  ***
31 21' 6 1/2"  ***
32 22' 3 1/2"  ***
33 23' 7 1/2"  ***
34 25' 1 1/2"  ***
35 25' 10 1/2"  ***
36 26' 4 1/2"  ***
37 26' 10 1/2"  #5 Border
38 27' 4 1/2"  ***
39 27' 11 1/2"  Black Traveler & Wing Legs
40 28' 5 1/2"  ***
41 28' 9 1/2"  Cyclorama
  32' 7 1/2"  Rear Wall

15) Lighting Instrument Inventory
24 - 6 x 12 long throw lk
11 - 6 x 12 short throw 1k similar to 6 x 9 throw
2 - 6 x 12 with iris 1k
30 - 6" variable focus zoom 1k 15* - 40*
19 - 4.5 variable focus zoom 500 watt 20* - 50*
18 - 8" fresnel 2k
10 - 6" fresnel 1k
4 - 10 x 23 1k - 5*
6 - 8 x 13 1k - 10*
11 - par 64 six bars 1k
8 - par 64 snubs 1k work lights
4 - par 64 1k loose cans
6 - Altman Sky-Cyc -03
8 - Source 4 JR
7- SL 19*
2 - Altman S6-3055 Zoom 30* - 50*